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RESEARCH < posted
November 5, 2001 >
NEWS
Quotes and other relevant
research finding related to the category of
news.
news n. (usu. with a sing. v.)
1. a report of a recent event; information:
to hear news of a relative.
2. a report on a recent or new event in a newspaper
or other periodical or on on radio or television.
3. such reports taken collectively; information
reported: to listen to the news. 4. a person
event, etc., regarded as newsworthy material.
5. a newspaper
[1425-1475; late ME newis, pl. of newe newe
thing, novelty (see NEW); on the model of MF
noveles (pl. of novele). or ML nova (pl. of
novum: see NOVEL2] -news'less, adj.
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Definition from Webster's College Dictionary
©1991
journalism
n.
1. the collection and editing of news for presentation
through the media
2. newspapers and magazines; the public press.
3. an academic study concerned with the collection
and editing of news or the management of a news
medium,
4. writing designed for publication in a newspaper
or magazine.
5. writing characterized by a direct presentation
of facts or description of events without an
attempt at interpretation.
6. writing designed to appeal to current popular
taste or public interest.
[1825-35; < F journalisme]
- Combined definition
from Webster's College Dictionary ©1991 & Merriam-Webster's
on-line Collegiate Dictionary (www.m-w.com)
accessed on 11.3.01
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Jack Driscoll's seven
criteria for news:
1. Newness or timeliness
2. Importance (serious matter, affects many,
etc.)
3. High general interest to reader
4. Relevance
5. Involves public's right to know
6. Involves public's need to know
7. Whether story informs, educates, guides or
entertains reader
[Accessed online at:
http://walter.www.media.mit.edu/people/walter/]
Note: John S. (Jack)
Driscoll has been Editor-in-Residence at the
MIT Media Laboratory since 1995. Previously
he was at the Boston Globe for nearly 40 years,
seven as Editor.
I
question the criteria "entertain,"
what is meant by that, and why the news should
entertain?
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"When
it comes to information, citizens now are overwhelmed
with its quantity and skeptical of its quality.
Fewer journalists and media consumers are separating
out the important information from the false
diversions, and fewer still seem ready to reward
the truth...Appearances have become more important
than facts."
"A scandal--any scandal--tends to take
priority now over other news, as the networks
run in tabloid panic after their fragmenting
audiences."
"Ironically,
many journalists genuinely are trying to serve
the public interest, reporting the "tough stories"
and "difficult facts" in each new scandal. Yet
too few editors and producers recognize that
serving the public interest is not the same
as simply serving what the public is interested
in. Just because sex scandals and celebrities
are interesting doesn't mean they should replace
other news. Similarly, just because the new
media technologies enable television to go "live"
to show the unfolding drama of a man's
freeway suicide, it does not mean that journalists
are serving the public interest by doing so."
"Thanks
to the Internet, there are no deadlines, space
constraints or excuses. Journalism can be much
more accurate, thoughtful and complete. A constant
deadline means no deadline, so a journalist
now has whatever time is needed to check out
the facts. And whatever can't fit into the old
media container (the print news story or newscast)
can be put onto the companion Website. There
is a bottomless news hole."
"Since
anyone can throw half-baked material onto their
Websites in order to be "first," why do we need
journalists at all, if they aren't going to
offer the benefits of verification, relevance
and context?"
"Throwing
accuracy to the winds undermines the credibility
of the news brand. Better to build the brand
by offering them a consistently trustworthy,
accessible place to go for news."
"Test
the democracy quotient by asking, how much of
this new channel is taken up with pundit score-keeping,
celebrity gossip and voyeur crime news, issue-free
animal features, sports, entertainment and weather
programs? The transformation in particular of
MS/NBC from a promising television/Internet
laboratory to a scandal news service has been
disheartening. Neil Postman's lament--that we
are "amusing ourselves to death"--has never
seemed more accurate."
"our
popular culture has been turned inside out.
What should be private is now becoming public,
and what should be public is being privatized."
"Veteran
newsman Robert MacNeil argues that substantive
"issue" news is less interesting to people now
because there are no major overriding public
policy issues as there were when the nuclear
threat hung over the world during the Cold War.
But this inattention is more a failure of civic
imagination and journalistic effort. We are
likely to look back some years from now as some
major challenge demands our action, and say,
as we did with the Savings and Loan crisis,
"why didn't we see this coming?" The stakes
are particularly high in America; as this democracy
reigns as the world's leading superpower, its
public priorities and actions resonate beyond
our borders."
"Resource
journalism attempts to offer thorough but unbiased
reporting, assembling for citizens the authentic
information they need to make civic choices.
It seeks to enlist not only the traditional
charms of television, radio and print but the
interactivity and depth afforded by the Internet.
Resource journalism provides historical context,
local, national and international reference
points, and tries to answer "compared to what?"
It tries to explain "why does this matter to
the average American?" Resource journalism works
to combine news about problems with news about
a range of potential solutions to those problems,
but it does not seek to encourage any particular
action. Through carefully curated Websites,
resource journalism tries to offer a relevant
selection of deeper information resources, a
range of clearly labeled, diverse opinions,
and interactive access points for citizens who
may want to get involved."
"Clearly
not every breaking news story can be spun into
all of these forms. But a thoughtful news organization
could divert some of the time, talent and money
now spent on chasing the entertainment side
of politics and culture, and instead assemble
an updatable set of interactive, multimedia
resources about the top 10 issues that will
shape our nation's future...resource journalism
was developed by PBS's Democracy Project in
the spring of 1997 when it was presented with
the need to cover, with limited resources, the
prospect of unlimited daily Congressional campaign
finance hearings in both the Senate and House."
"There
has been some concern, as PBS has experimented
with such multimedia projects, that the Internet
Websites might divert audiences from the television
programs. But PBS has found that many viewers
are online at the same time as they are watching
television, using both at once. FRONTLINE, PBS's
documentary series, has pioneered separate but
complementary "webumentaries,"18 as well as
a moving webmarker bug along the bottom of the
screen which prompts viewers to go to PBSOnline
for more information about the subject of the
program."
"These
projects all carry the hallmarks of resource
journalism, including complementary local and
national news, interactive background information
that is useful to citizens, a citizen soapbox,
and educational tools."
[source:
Hume, Ellen. "Resource Journalism: A Model
for New Media"
posted: May 17, 1998
from a complete transcript of Hume's talk at
the Democracy and Digital Media Conference held
at MIT on May 8-9, 1998. Accessed online on
at:
http://media-in-transition.mit.edu/articles/index_hume.html
]
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